

Hey all, it's December and that means it's time to share your suggestions for next year's themes!
You can comment on this post with up to 10 suggestions. Comments will be screened, but I'll unscreen mine so you can get a feel for how it goes.
Suggested themes should be new to the comm and broad enough to sustain a month of recommendations, and I'm going to be more particular than I have in the past, as I'd like to focus on general themes that make it easier for everyone to participate. To give you an idea of what this means, I'm aiming for themes that have at least 5,000 completed works on AO3. I've also preloaded the list with some common genres that, surprisingly enough, we haven't done yet, like fantasy.
I'll drop by your comments and let you know which of your suggestions meet these guidelines. As part of this process I may offer slight alterations or rework themes to make them more inclusive.
If you can, check out our spreadsheet of past themes before commenting to make sure your suggestions aren't already on there.
If you need some inspiration:
- Last year's suggestion post
- List of Fic Kinks, Tropes, and Clichés at Fanlore
- Cliché Bingo's Big List of Clichés (Wayback Link)
- Hurt/Comfort Bingo Prompts
- Kink Bingo's Kink Wiki (NSFW)
- Trope List & Definitions at Trope Bingo
- TV Tropes
I'll add the suggestions to this post once they've been confirmed, but I still, somehow, don't have all the past themes memorized, so if I make a mistake or if I accept a suggestion that is hurtful or badly worded, let me know.
Theme suggestions will be voted on later this month and the most popular will advance to the monthly theme polls in 2026.
( Confirmed Theme Suggestions )
If you have any questions or need help, come find me!
⌈ Secret Post #6909 ⌋
Warning: Some secrets are NOT worksafe and may contain SPOILERS.
01.

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Notes:
Secrets Left to Post: 00 pages, 00 secrets from Secret Submission Post #986.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.
Loss makes me think of Data's quote: "As I experience certain sensory input patterns, my mental pathways become accustomed to them. The input is eventually anticipated and even 'missed' when absent."
I remember watching that episode and thinking it was an interesting way to justify an android having emotions, but I have reflected back on it often over the years when dealing with grief, and how much routines can increase loss.
My mom was the worst, because I was very close to her and we often did things together. She was gone and I missed her but also so many... we both watched these shows and discussed them the next day, who do I talk about them with? Do I go clothes shopping by myself or can I find a friend who will be as encouraging as she was?
Maybe that sounds heartlessly practical or self-absorbed? This person is gone and how does it impact my life? But I've lost people like my paternal grandparents where I was very sad but also, they lived three hours away, our getting together was semi-regular but also sporadic. It wasn't tied to any particular activity except Thanksgiving, and then we continued going down to see other relatives in that city. For me, it's a different type of grief when it's not tied to routines. It's just this general sadness rather than coming up to event and knowing you have to do it alone. Or find a replacement.
I guess my situation is sorta the reverse of Data's, he found routines built emotions, while I'm dealing with absence requiring new routines to be built. But still, I find that quote to be poignantly relevant. Data was a wise man.
My nephew has already found a new kitty for me, but he still has a month to be weaned. So we'll see. Maybe I'll go back to fourths on the wet food in January.
Cheek to Cheek by
Chapel/Uhura, 100 words. Very sweet. <333
The Haunting of Hill House
Oleander Square by
Theo/Eleanor, 2k. Theo returns haunted from Hill House, maybe literally. I love this unconventional form of haunting. This has just great atmosphere, with lovely prose and such elegant imagery.
Original Work
Little Rat by
Noblewoman/The Woman Her Husband Is Having an Affair With, 5k. A noblewoman goes to a her London townhouse, only to discover her estranged husband's newest bed-mate. I enjoyed the hell out of this. I love their dynamic, their mutual respect for each others' worldliness and practicality combined with their attraction for each other. Also: the smut is scorching hot. Just delightful all around.
True Detective: Night Country
All Summer in a Day by
Danvers/Navarro, 3k. Or: six months later, a reunion. This is the hot, gorgeous, atmospheric, character-driven, immediately post-canon shipfic at that random lake cabin that we all deserved! The writing here is so lovely, and the dynamic between them is complicated and full of sparks. I especially love the Danvers voice here. Wonderful stuff.
( Spoilers under the cut. )

Writing Otto was a real treat. Once I noticed how often I was making him toss out a literary allusion to show off how clever he is, his whole personality just locked into place. -- Al Ewing
( Read more... )
For no good reason (yes I'm procrastinating on something), trying to decide tonight which is the most WTF of the music videos I have had to watch and rewatch and rewatch this year. Is it the WTFFFFF of the "clink clink" visual in Yum Yum? Or is it Shwekey deciding to stop the song right in its tracks to do a commercial for Baron Herzog? They are both so WTF.
-YUM YUM | Rabbi Greenspan | Featuring Afiko.Man & Mendy Worch | TYH Music
-SHWEKEY - Baruch Hashem It’s Shabbos
If you don't understand Yum Yum, don't worry, neither do I.
⌈ Secret Post #6908 ⌋
Warning: Some secrets are NOT worksafe and may contain SPOILERS.
01.

( More! )
Notes:
Secrets Left to Post: 01 pages, 05 secrets from Secret Submission Post #986.
Secrets Not Posted: [ 0 - broken links ], [ 0 - not!secrets ], [ 0 - not!fandom ], [ 0 - too big ], [ 0 - repeat ].
Current Secret Submissions Post: here.
Suggestions, comments, and concerns should go here.
Especially reboots or sequels or sequels they insist are reboots.
I get it if there's some egregious detail known like 'but this time everyone is straight and white except the bad guys' or suchlike, but not when they're doing this from a standing start.
An existing story is being taken as inspiration for new story. Will they use the parts we thought were the good stuff? Don't know, do care, so it's potentially stressful. Will they use the bad stuff the makers didnt seem to evaluate properly the first time? Well that was always a problem, so the only way is up. ... actually no I can think of so many downs but you do at least have room for improvement. And, is The Thing that everyone was there for the first time, still a Thing we could stand to see in stories? Well generally yeah or we'd be bored of the basic idea by now.
Even if we get some horrible shambling husk of a came back wrong, it's not like it rewrites the original.
... blu ray and streaming upscaled releases do enough of that already...
It's especially puzzling when these are fanfic people. Someone with a budget is doing their fic grand scale. Hope they tag it well and move on, you know?
And one can always hope for good things, because we are as ever in a cultural moment that could really stand to get some actual feminism in it. Amongst so many other things.
Of course at my current rates of pop cultural consumption I might catch up to any new broadcast sometime around the point it is old enough to vote, but that is a separate problem.
I don't think I liked it. The plot rolled along by Suzie just knowing things and guessing right first time? I feel like they needed a bit more handwavium in it. Honestly I'd have been fine with it if they did more bleepy monitor readings noises before she drew her conclusions, which they did plenty of at key moments so I guess I mean it didn't draw me in to believing she'd figured it out. Other than that the bits with the baby didn't seem to say anything new and didn't seem funny to me. I think this story just missed me.
Mostly it made me feel it has been A Very Long Time since Torchwood, and then I was feeling a bunch of stuff about time passing and not much happening in it, and honestly, the problem may well not lie with the audio.
So then I started a Hard play through of Wrath of the Righteous, but I feel like I've screwed up my build already so that's... stressful. I'm playing arcanist again and I picked Holy Water jet but it'll be a couple of levels before I need Holy Water so, you know, oops. I just figured I'd be chucking cantrips around for ages. But I keep missing. By Hard level the odds of hitting are not on your side. I haven't made it to Neathholm yet but I have used up all the Cure Light Wounds potions and spells. So I am quitting and pindering if I'll go after the wand. Hard fight, but good reward. ... probably I'll try and have to reload a bunch.
Previously I have been listening mostly to 6th Doctor audios. I am very close now to having listened to the whole Monthly Range, only a few years late. Memories of a Tyrant, Emissary of the Daleks, Plight of the Pimpernel. Got a theme going there, they meet someone who may or may not have done terrible things, for what they felt were important reasons, and have to sort out what they feel about that and how to respond. There's also chances for the Doctor to play dress up and be not quite himself. Actors having fun being layered characters. There's good stuff in them. And I liked the bit in Pimpernel about the power and danger in escapist stories. Plus the compare contrast on literary hero and science fiction versions. People trying to rewrite their own stories.
If I'd written this closer to the listening I'd have more to say about details in each but I went on to the next, and so here's an overview on interesting commonalities and a note to self to review things and not just open a notepad page that says Review at the top and the title.
I am hoping to get more sleep tonight, which numerically speaking should not be hard, and then I shall have another go at reading listening watching playing being interested.
I have heard this same complaint many times during my life and I don't understand it. I love musicals, they are a joy to me, I will see pretty much any that I can.
One good guy with a handgun, 12 terrorists with assault rifles, sure, totally believable that the good guy will win. And outrun bullets numerous times along the way while making quippy remarks.
That a Norse god would come to Earth and fight alongside a billionaire in a suit, a revived super soldier, and a rage monster, sure, no problem. Admittedly, I know two people, my dad and a former boss, who roll their eyes at superhero movies, but they've been the only ones. (And my dad even made an exception to watch the Wonder Woman movies, he can apparently suspend his disbelief for Gal Gadot in boots.)
Even sitcoms, that every week a family or a group of friends or co-workers can have some sort of dispute, and thrash through it and make up in a feel-good moment, are you kidding me? Every group I know has some sort of unresolved dispute or bitterness that lingers, even if often suppressed for the sake of civility.
And for the most part, I'm completely happy that people can suspend their disbelief and allow somewhat absurd happenings to be neatly ended, all loose plot parts tied up, in a satisfying conclusion. I like media with good endings. I love the good guys winning, I love superhero movies, I love people working through problems and getting along.
But I love musicals too! *hugs them tightly to protect from bizarre disbelievers* Why is this genre such a sticking point for people?

